Going underground — From gay bars and discos to old-school bruin cafés and red-light district taverns – Marc H. Miller and Bettie Ringma’s portraits capture the hidden soul of the city.
Written by: Miss Rosen
Getting the perfect shot — Be yourself, visualise your story, and never underestimate the power of language: the award-winning director reflects on the lessons he’s learned so far.
Written by: HUCK HQ
Sunup to sundown — Grant Ellis examines the mythology of the Mississippi – one of the poorest states in the US – for his new project, Bless Your Heart.
Written by: Miss Rosen
Flow of the city — Photographer Susannah Ray explores the shores and waterways that New Yorkers use all year-round to fish, swim, sit and daydream.
Written by: Susannah Ray
Rip it up and start again — The real stories of our time aren’t always plain to see. They’re shaped by invisible forces, unfold behind closed doors, and are conveniently erased from collective memory. But in an era of fake news and manipulated truths, we need these stories more than ever. The only way to tell them is to take a few risks, break all the rules and pioneer a new way of seeing the world.
Written by: Lewis Bush
Teen tearaways — In Daughters, photographer Lilla Szasz captures the teenagers living in one of Budapest’s oldest correctional institutions.
Written by: Miss Rosen
The Travel Diary — Cole Giordano heads to the lesser-explored corners of rural Japan, from the crystal clear creeks of Jinba Falls to the ghostly shrines of Fujiyoshida.
Written by: Cole Giordano
Picks of the bunch — As the year draws to a close, we collated the best photography pieces of the year – as chosen by readers.
Written by: HUCK HQ
The Travel Diary — New York photographer Juan Veloz reflects on his heritage in a new series, taking powerful portraits of the tensions between Haitians and Dominicans.
Written by: Juan Veloz
The Backs Of Men — Growing up on the US-Mexico border, Dominic Bracco II knows people who walk a fine line between right and wrong. He’s seen good folks do bad things. To capture that nuance, he put down his camera, picked up a pen and scripted the space in-between.
Written by: Dominic Bracco II