Lavish illusion — In his new book, Hip Hop Honeys, photographer Brian Finke goes behind the scenes on the world’s most glamorous music videos – only to find that things aren’t quite what they seem.
The Travel Diary — Photographer Elke Numeyer shares her hazy portraits of the island in a new series, capturing a picturesque region that’s riddled with cultural contradictions.
Escape the everyday — After growing tired of life in the city, Yuri Alekseyev left Moscow for an underground woodland hut. Over the course of four visits, photographer Pavel Volkov documented the former lawyer in his self-made home.
#EndTheSiege — With the death toll in Gaza rising as Palestinians continue to demand a right to return to their land, protestors take to the streets of London. Photographer Theo McInnes headed down to join them.
Welcome to The Farm — Keith Calhoun and Chandra McCormick’s contemporary photographs of the Louisiana State Penitentiary – otherwise known as ‘The Farm’ – uncover an undeniable truth: slavery in the US has never truly ended.
Through art & photography — A new photography show, opening this week at Brisbane’s Metro Arts, confronts the tired cultural stereotypes surrounding east Asian womanhood.
Totally tubular — In 2013, photographer and archivist Lukas Birk launched the Myanmar Photo Archive – a treasure trove of shots from the famously private Southeast Asian nation.
Scars from a forgotten war — Over its 27-year duration, the Angolan war led to the death of an estimated two million people – making it one of the deadliest of the 20th century. But nearly two decades later, its violent legacy is still haunting the region.
People, places, things — In Rhyming Couplets, photographer Alistair Redding places portraits of people alongside shots of everyday colours, objects and shapes, creating an entanglement between pedestrians and their corresponding urban environment.
The ’90s archives — Throughout the ’90s, photographer Christian Vagt lived in the city’s squats, where he shot the everyday lives of his friends and lovers. ‘We were long-haired, didn’t give a fuck and definitely hated capitalism,’ he remembers.